Collection
Saint-Malo
Ten visions of Atlantic geometry
Granite, Atlantic blue and the deliberate void. Saint-Malo is not reimagined here as a postcard city but as a graphic proposition — where ramparts become abstract planes, coral accents punctuate the stone, and the sea is always just beyond the frame.
At low tide, the sea pool empties to granite. The diving platform holds the frame — a vertical accent of coral against a field of teal.
Saint-Malo from the water: ramparts, spire, geometry. The city does not open — it presents itself, contained and complete.
A granite wall makes a window. Sky and water become the subject. The sea reduces itself to a thin blue line.
The lighthouse stands at the end of a pier with the precision of a column. One coral door is its only concession to colour.
Between two walls of granite, a staircase ascends toward open sky. The coral railing draws a diagonal that the shadow repeats.
The rampart occupies nearly the entire frame. A small coral door interrupts the stone — the only exit, or the only entrance.
The kiosk stands alone on a vast esplanade. Nothing else competes. A turquoise object against a blue horizon, perfectly still.
The house presents itself as an elevation drawing: granite, teal, coral. Each material at its exact proportion.
The arch frames the Atlantic and admits a bar of light. Shadow divides the scene. Beyond, nothing but sea.
The city does not come forward. It waits at the horizon — a compact, walled, suspended form above an immense graphic field.
