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Collection

Route 66

The architecture of the myth.

From Chicago to Santa Monica, Route 66 is told without illustrative nostalgia. Bridges, stations, motels, bends and popular landmarks become silent forms, shifted just enough to tip reality into another register.

Narrow street between steel structures, a stone façade and a glass building in Chicago.
Chicago — The CanyonR66-001

The road begins in an industrial canyon where a line of asphalt slips between pale stone, glass and steel.

Small white Odell station, red pump, long shadows and plains beneath a dark sky.
Odell — The SignalR66-002

A white station and red pump become a vertical signal beneath a weighted sky, at the edge of an almost empty landscape.

Aerial view of the Chain of Rocks Bridge forming a sharp angle above the Mississippi.
St. Louis — The HingeR66-003

The Chain of Rocks Bridge bends above the Mississippi like an improbable hinge between two directions.

Large curved blue form of the Catoosa whale reflected in a dark basin.
Catoosa — The Blue BasinR66-004

Catoosa’s Blue Whale becomes an autonomous aquatic architecture, between sculpture, basin and rural horizon.

Painted, weathered car fin emerging alone from a dry field near Amarillo.
Amarillo — The RelicR66-005

In Amarillo, the buried car is no longer a pop object but a metallic relic rising from the void.

Pale Tucumcari motel façade, turquoise doors and long geometric shadows.
Tucumcari — The DoorsR66-006

A motel façade is reduced to a sequence of turquoise doors, ivory walls and oblique shadows.

White La Bajada hairpin cutting through dark brown terrain from above.
La Bajada — The FoldR66-007

The white road coils through dark earth like a geometric incision, with neither vehicle nor visible destination.

Ivory conical wall of the Wigwam Motel, red zigzag motif and dark doorway in Holbrook.
Holbrook — The Painted ThresholdR66-008

In Holbrook, a white conical façade becomes an abstract threshold, marked by a single red rhythm.

Partially erased red-and-blue Roy’s sign in Amboy beside an empty road.
Amboy — The Incomplete SignR66-009

Roy’s sign loses part of its language; what remains is a red arrow, a shadow and the desert horizon.

Santa Monica pier columns, long shadow across wet sand and the Pacific horizon.
Santa Monica — The Terminus ShadowR66-010

The road ends beneath the pier: a monumental shadow crosses wet sand as the ocean erases the destination.

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Cities reimagined through architecture, color and imagination.

Digital art & visual stories by Yann Gougeon

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